In 1969, Monty
Python’s aspiring lumberjack loses a lot with his song. A quarter-century
later, Rocko potentially stops Filburt from making the same mistake.
Rocko
and his teeth make a selfless sacrifice when he insists on grabbing a soda with
Filburt.
For
his personal sake, the timing could not be worse. He is moments removed from
repositioning his cavity-stricken tooth after it mutated and rampaged through
O-Town amidst Filburt’s dental final.
Fortunately,
Gordon the foot makes a subsequent disclaimer that Rocko had his seamless oral
health restored by a certified dentist. Whether the wallaby indulged in an
acidic, sugary beverage in between is thus a minor long-term detail.
Regardless,
little does he know the long-term favor he does Filburt by preempting the
turtle’s proposed song about sweeping chimneys. Without that ending to Season
1’s “Rinse and Spit,” several later episodes might not be have been possible.
Not the least among those include Season 3’s two-part “The Big Question/Answer”
and Season 4’s “From Here to Maternity.”
To
understand why, you have to know Monty Python, the revolutionary British sketch
squad.
Once
you see both “Rinse and Spit” and the Monty
Python’s Flying Circus episode “The Ant, an Introduction,” you appreciate
the parallels. Just as Filburt never had an interest in dentistry, Michael
Palin’s troubled character did not want to be a barber. Their respective dreamy
monologues about sweeping chimneys and lumberjacking effortlessly evoke one
another. Whether the January 1994 segment or December 1969 sketch does the
reminding depends on which you saw first.
The
crucial difference is that Terry Jones, Palin’s last barbershop customer, lets
his acquaintance sing. As a result, Palin divulges some discomfiting interests
that, fairly or unfairly, turn off his friends and girlfriend. The latter
(Connie Booth) breaks down and breaks up with him for suddenly not seeming as “rugged”
as she thought.
There
is no telling whether Filburt’s song would have endangered, let alone doomed,
his budding relationship with Dr. Hutchison. But given the saga’s subsequent
events, that mystery is better off left as it is.
The
best-case scenario for Filburt and Hutchison will come to fruition. Thanks to
Rocko, we never see the earliest worst-case scenario.
Whether
it comes from growing up in a Commonwealth nation or otherwise, Rocko is implicitly
more familiar with Python. As such, he knows what Filburt is risking and does
not hesitate to stop him. All he needs to do is remind him of his post-test
plans for a soda and add, “No song.”
If
not for that interruption, the faithful remake of “The Lumberjack Song” may
have yielded revelations Hutchison might not have been ready for. Sure, by
Season 4’s “Closet Clown” neither she nor anyone else bats at at his admission
to “wearing European-style undergarments.”
But
by that point, the two are married with quadruplets. And while Filburt has not
abandoned all of his arguably quirky or less-than-age-appropriate ventures, he
clearly gave up whatever he needed to make his relationship work.
Conversely,
“Rinse and Spit” is the Rocko canon’s
first look at Hutchison, let alone Filburt’s interest in her. And even if no
one else knows about the latter yet, Rocko gets a reliable hint. Before
starting his dental final, Filburt points to his then-professor and whispers,
“Isn’t she cute?”
Despite
their nearly concluded teacher-student dynamic, Filburt and Hutchison have a
lot to learn about one another. Their romance is not even in a primordial
stage, as Filburt’s first step is offering her a soda. His hopes of making a
sound impression on her are too delicate for awkward, deeply personal details.
Just
like his occupational preferences, Filburt’s repellant secrets may differ from
those of Palin’s aspiring lumberjack. But potential turn-offs to a would-be
lover range far beyond cross-dressing and bar-hopping.
As
another Python project, The Life of Brian,
reminds us, “we’re all individuals” and “all different.” Not yet knowing
Hutchison beyond dental school, Filburt must start small in learning more about
her before spilling his secrets.
As
it happens, after Filburt relents to Rocko’s advice, he and Hutchison do not
appear simultaneously again for a year. By the time they do, they are close
enough to spend Christmas together, implicitly without any other friends or
family.
Hutch’s
next appearance after that comes in “Kiss Me I’m Foreign,” when she sadly
agrees to a break. With that said, by the segment’s end, the two restore their
relationship, as Filburt ends his faux marriage with Rocko. This time they have
made a comparatively small sacrifice to preserve their Australian friend’s stay
in America (which was mistakenly imperiled anyway).
Beyond
that, two more Filburt-Hutchison crossovers precede “The Big Question.” Apart
from annoying her with his malingering in “Bye Bye Birdie,” he displays nothing
that could remotely threaten their relationship.
As
their love grows and strengthens, they keep a low shared profile in the
two-plus years between “Rinse and Spit” and “The Big Question.” That decision
pays dividends, as they resist their contentious families’ petty objections and
go through with the wedding.
By
taking that approach to his love life, Filburt has clearly let Rocko’s subtle
advice sink in. As his romantic storyline proves, he learns that some things
are best kept under wraps.
And
so, we never hear of his chimney-sweeping aspirations again. But we see plenty
of him and Hutch, first as a couple and then as parents to boot.
That
tradeoff, which comes with odd jobs and hobbies in other fields, is inarguably
worth making. Even if Rocko has to temporarily exacerbate his cavity so he can persuade
Filburt to start on the better path.
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